BEGIN:VCALENDAR
VERSION:2.0
PRODID:icalendar-ruby
CALSCALE:GREGORIAN
X-WR-CALNAME:Quentin Morris
X-WR-TIMEZONE:Central Time (US & Canada)
BEGIN:VEVENT
DTSTAMP:20260910T231343Z
UID:tag:localist.com\,2008:EventInstance_31132282188017
DTSTART:20190826T150000Z
DTEND:20190826T230000Z
DESCRIPTION:Philadelphia-based artist Quentin Morris uses a variety of mate
 rials to explore issues surrounding identity\, race\, spirituality\, and c
 ultural mythologies. The integration of schools in Philadelphia impacted M
 orris as an adolescent and still influences his work today. Morris has foc
 used his studio practice on monochromatic black paintings in the shapes of
  circles and squares since the early 1960s. Morris’ AEIVA exhibition fea
 tures a selection of paintings that span five decades of the artist’s ca
 reer.\n\nThrough his paintings\, Morris is able to process his ideas on ra
 ce\, ethnicity\, and culture\, while at the same time constructing a socia
 l commentary on the Civil Rights Movement. Morris wants the viewer to take
  an intense look into his deceptively simple paintings - understanding tha
 t the color black is both beautiful and complex. This will be Quentin Morr
 is’ first major exhibition in the South.\n\nOpening reception: September
  7th\, 6-8pm\n\nImage credit:\nQuentin Morris  \nUntitled (March\, 2019) \
 n2019\, detail \nSilkscreen ink and polymer acrylic on canvas\n6-foot circ
 le \n\nCourtesy of the artist\, Larry Becker Contemporary Art\, and Blum &
  Poe\, NYC\n\nPhotograph by Brice Goldberg
GEO:33.4968;-86.80707
LOCATION:Abroms-Engel Institute for the Visual Arts
SUMMARY:Quentin Morris
URL;VALUE=URI:https://calendar.uab.edu/event/quentin_morris
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260910T231343Z
UID:tag:localist.com\,2008:EventInstance_31132282189257
DTSTART:20190827T150000Z
DTEND:20190827T230000Z
DESCRIPTION:Philadelphia-based artist Quentin Morris uses a variety of mate
 rials to explore issues surrounding identity\, race\, spirituality\, and c
 ultural mythologies. The integration of schools in Philadelphia impacted M
 orris as an adolescent and still influences his work today. Morris has foc
 used his studio practice on monochromatic black paintings in the shapes of
  circles and squares since the early 1960s. Morris’ AEIVA exhibition fea
 tures a selection of paintings that span five decades of the artist’s ca
 reer.\n\nThrough his paintings\, Morris is able to process his ideas on ra
 ce\, ethnicity\, and culture\, while at the same time constructing a socia
 l commentary on the Civil Rights Movement. Morris wants the viewer to take
  an intense look into his deceptively simple paintings - understanding tha
 t the color black is both beautiful and complex. This will be Quentin Morr
 is’ first major exhibition in the South.\n\nOpening reception: September
  7th\, 6-8pm\n\nImage credit:\nQuentin Morris  \nUntitled (March\, 2019) \
 n2019\, detail \nSilkscreen ink and polymer acrylic on canvas\n6-foot circ
 le \n\nCourtesy of the artist\, Larry Becker Contemporary Art\, and Blum &
  Poe\, NYC\n\nPhotograph by Brice Goldberg
GEO:33.4968;-86.80707
LOCATION:Abroms-Engel Institute for the Visual Arts
SUMMARY:Quentin Morris
URL;VALUE=URI:https://calendar.uab.edu/event/quentin_morris
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260910T231343Z
UID:tag:localist.com\,2008:EventInstance_31132282191040
DTSTART:20190828T150000Z
DTEND:20190828T230000Z
DESCRIPTION:Philadelphia-based artist Quentin Morris uses a variety of mate
 rials to explore issues surrounding identity\, race\, spirituality\, and c
 ultural mythologies. The integration of schools in Philadelphia impacted M
 orris as an adolescent and still influences his work today. Morris has foc
 used his studio practice on monochromatic black paintings in the shapes of
  circles and squares since the early 1960s. Morris’ AEIVA exhibition fea
 tures a selection of paintings that span five decades of the artist’s ca
 reer.\n\nThrough his paintings\, Morris is able to process his ideas on ra
 ce\, ethnicity\, and culture\, while at the same time constructing a socia
 l commentary on the Civil Rights Movement. Morris wants the viewer to take
  an intense look into his deceptively simple paintings - understanding tha
 t the color black is both beautiful and complex. This will be Quentin Morr
 is’ first major exhibition in the South.\n\nOpening reception: September
  7th\, 6-8pm\n\nImage credit:\nQuentin Morris  \nUntitled (March\, 2019) \
 n2019\, detail \nSilkscreen ink and polymer acrylic on canvas\n6-foot circ
 le \n\nCourtesy of the artist\, Larry Becker Contemporary Art\, and Blum &
  Poe\, NYC\n\nPhotograph by Brice Goldberg
GEO:33.4968;-86.80707
LOCATION:Abroms-Engel Institute for the Visual Arts
SUMMARY:Quentin Morris
URL;VALUE=URI:https://calendar.uab.edu/event/quentin_morris
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260910T231343Z
UID:tag:localist.com\,2008:EventInstance_31132282192633
DTSTART:20190829T150000Z
DTEND:20190829T230000Z
DESCRIPTION:Philadelphia-based artist Quentin Morris uses a variety of mate
 rials to explore issues surrounding identity\, race\, spirituality\, and c
 ultural mythologies. The integration of schools in Philadelphia impacted M
 orris as an adolescent and still influences his work today. Morris has foc
 used his studio practice on monochromatic black paintings in the shapes of
  circles and squares since the early 1960s. Morris’ AEIVA exhibition fea
 tures a selection of paintings that span five decades of the artist’s ca
 reer.\n\nThrough his paintings\, Morris is able to process his ideas on ra
 ce\, ethnicity\, and culture\, while at the same time constructing a socia
 l commentary on the Civil Rights Movement. Morris wants the viewer to take
  an intense look into his deceptively simple paintings - understanding tha
 t the color black is both beautiful and complex. This will be Quentin Morr
 is’ first major exhibition in the South.\n\nOpening reception: September
  7th\, 6-8pm\n\nImage credit:\nQuentin Morris  \nUntitled (March\, 2019) \
 n2019\, detail \nSilkscreen ink and polymer acrylic on canvas\n6-foot circ
 le \n\nCourtesy of the artist\, Larry Becker Contemporary Art\, and Blum &
  Poe\, NYC\n\nPhotograph by Brice Goldberg
GEO:33.4968;-86.80707
LOCATION:Abroms-Engel Institute for the Visual Arts
SUMMARY:Quentin Morris
URL;VALUE=URI:https://calendar.uab.edu/event/quentin_morris
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260910T231343Z
UID:tag:localist.com\,2008:EventInstance_31132282193093
DTSTART:20190830T150000Z
DTEND:20190830T230000Z
DESCRIPTION:Philadelphia-based artist Quentin Morris uses a variety of mate
 rials to explore issues surrounding identity\, race\, spirituality\, and c
 ultural mythologies. The integration of schools in Philadelphia impacted M
 orris as an adolescent and still influences his work today. Morris has foc
 used his studio practice on monochromatic black paintings in the shapes of
  circles and squares since the early 1960s. Morris’ AEIVA exhibition fea
 tures a selection of paintings that span five decades of the artist’s ca
 reer.\n\nThrough his paintings\, Morris is able to process his ideas on ra
 ce\, ethnicity\, and culture\, while at the same time constructing a socia
 l commentary on the Civil Rights Movement. Morris wants the viewer to take
  an intense look into his deceptively simple paintings - understanding tha
 t the color black is both beautiful and complex. This will be Quentin Morr
 is’ first major exhibition in the South.\n\nOpening reception: September
  7th\, 6-8pm\n\nImage credit:\nQuentin Morris  \nUntitled (March\, 2019) \
 n2019\, detail \nSilkscreen ink and polymer acrylic on canvas\n6-foot circ
 le \n\nCourtesy of the artist\, Larry Becker Contemporary Art\, and Blum &
  Poe\, NYC\n\nPhotograph by Brice Goldberg
GEO:33.4968;-86.80707
LOCATION:Abroms-Engel Institute for the Visual Arts
SUMMARY:Quentin Morris
URL;VALUE=URI:https://calendar.uab.edu/event/quentin_morris
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260910T231343Z
UID:tag:localist.com\,2008:EventInstance_31132282193977
DTSTART:20190831T170000Z
DTEND:20190831T230000Z
DESCRIPTION:Philadelphia-based artist Quentin Morris uses a variety of mate
 rials to explore issues surrounding identity\, race\, spirituality\, and c
 ultural mythologies. The integration of schools in Philadelphia impacted M
 orris as an adolescent and still influences his work today. Morris has foc
 used his studio practice on monochromatic black paintings in the shapes of
  circles and squares since the early 1960s. Morris’ AEIVA exhibition fea
 tures a selection of paintings that span five decades of the artist’s ca
 reer.\n\nThrough his paintings\, Morris is able to process his ideas on ra
 ce\, ethnicity\, and culture\, while at the same time constructing a socia
 l commentary on the Civil Rights Movement. Morris wants the viewer to take
  an intense look into his deceptively simple paintings - understanding tha
 t the color black is both beautiful and complex. This will be Quentin Morr
 is’ first major exhibition in the South.\n\nOpening reception: September
  7th\, 6-8pm\n\nImage credit:\nQuentin Morris  \nUntitled (March\, 2019) \
 n2019\, detail \nSilkscreen ink and polymer acrylic on canvas\n6-foot circ
 le \n\nCourtesy of the artist\, Larry Becker Contemporary Art\, and Blum &
  Poe\, NYC\n\nPhotograph by Brice Goldberg
GEO:33.4968;-86.80707
LOCATION:Abroms-Engel Institute for the Visual Arts
SUMMARY:Quentin Morris
URL;VALUE=URI:https://calendar.uab.edu/event/quentin_morris
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260910T231343Z
UID:tag:localist.com\,2008:EventInstance_31132282196956
DTSTART:20190902T150000Z
DTEND:20190902T230000Z
DESCRIPTION:Philadelphia-based artist Quentin Morris uses a variety of mate
 rials to explore issues surrounding identity\, race\, spirituality\, and c
 ultural mythologies. The integration of schools in Philadelphia impacted M
 orris as an adolescent and still influences his work today. Morris has foc
 used his studio practice on monochromatic black paintings in the shapes of
  circles and squares since the early 1960s. Morris’ AEIVA exhibition fea
 tures a selection of paintings that span five decades of the artist’s ca
 reer.\n\nThrough his paintings\, Morris is able to process his ideas on ra
 ce\, ethnicity\, and culture\, while at the same time constructing a socia
 l commentary on the Civil Rights Movement. Morris wants the viewer to take
  an intense look into his deceptively simple paintings - understanding tha
 t the color black is both beautiful and complex. This will be Quentin Morr
 is’ first major exhibition in the South.\n\nOpening reception: September
  7th\, 6-8pm\n\nImage credit:\nQuentin Morris  \nUntitled (March\, 2019) \
 n2019\, detail \nSilkscreen ink and polymer acrylic on canvas\n6-foot circ
 le \n\nCourtesy of the artist\, Larry Becker Contemporary Art\, and Blum &
  Poe\, NYC\n\nPhotograph by Brice Goldberg
GEO:33.4968;-86.80707
LOCATION:Abroms-Engel Institute for the Visual Arts
SUMMARY:Quentin Morris
URL;VALUE=URI:https://calendar.uab.edu/event/quentin_morris
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260910T231343Z
UID:tag:localist.com\,2008:EventInstance_31132282197314
DTSTART:20190903T150000Z
DTEND:20190903T230000Z
DESCRIPTION:Philadelphia-based artist Quentin Morris uses a variety of mate
 rials to explore issues surrounding identity\, race\, spirituality\, and c
 ultural mythologies. The integration of schools in Philadelphia impacted M
 orris as an adolescent and still influences his work today. Morris has foc
 used his studio practice on monochromatic black paintings in the shapes of
  circles and squares since the early 1960s. Morris’ AEIVA exhibition fea
 tures a selection of paintings that span five decades of the artist’s ca
 reer.\n\nThrough his paintings\, Morris is able to process his ideas on ra
 ce\, ethnicity\, and culture\, while at the same time constructing a socia
 l commentary on the Civil Rights Movement. Morris wants the viewer to take
  an intense look into his deceptively simple paintings - understanding tha
 t the color black is both beautiful and complex. This will be Quentin Morr
 is’ first major exhibition in the South.\n\nOpening reception: September
  7th\, 6-8pm\n\nImage credit:\nQuentin Morris  \nUntitled (March\, 2019) \
 n2019\, detail \nSilkscreen ink and polymer acrylic on canvas\n6-foot circ
 le \n\nCourtesy of the artist\, Larry Becker Contemporary Art\, and Blum &
  Poe\, NYC\n\nPhotograph by Brice Goldberg
GEO:33.4968;-86.80707
LOCATION:Abroms-Engel Institute for the Visual Arts
SUMMARY:Quentin Morris
URL;VALUE=URI:https://calendar.uab.edu/event/quentin_morris
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260910T231343Z
UID:tag:localist.com\,2008:EventInstance_31132282198136
DTSTART:20190904T150000Z
DTEND:20190904T230000Z
DESCRIPTION:Philadelphia-based artist Quentin Morris uses a variety of mate
 rials to explore issues surrounding identity\, race\, spirituality\, and c
 ultural mythologies. The integration of schools in Philadelphia impacted M
 orris as an adolescent and still influences his work today. Morris has foc
 used his studio practice on monochromatic black paintings in the shapes of
  circles and squares since the early 1960s. Morris’ AEIVA exhibition fea
 tures a selection of paintings that span five decades of the artist’s ca
 reer.\n\nThrough his paintings\, Morris is able to process his ideas on ra
 ce\, ethnicity\, and culture\, while at the same time constructing a socia
 l commentary on the Civil Rights Movement. Morris wants the viewer to take
  an intense look into his deceptively simple paintings - understanding tha
 t the color black is both beautiful and complex. This will be Quentin Morr
 is’ first major exhibition in the South.\n\nOpening reception: September
  7th\, 6-8pm\n\nImage credit:\nQuentin Morris  \nUntitled (March\, 2019) \
 n2019\, detail \nSilkscreen ink and polymer acrylic on canvas\n6-foot circ
 le \n\nCourtesy of the artist\, Larry Becker Contemporary Art\, and Blum &
  Poe\, NYC\n\nPhotograph by Brice Goldberg
GEO:33.4968;-86.80707
LOCATION:Abroms-Engel Institute for the Visual Arts
SUMMARY:Quentin Morris
URL;VALUE=URI:https://calendar.uab.edu/event/quentin_morris
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260910T231343Z
UID:tag:localist.com\,2008:EventInstance_31132282200864
DTSTART:20190905T150000Z
DTEND:20190905T230000Z
DESCRIPTION:Philadelphia-based artist Quentin Morris uses a variety of mate
 rials to explore issues surrounding identity\, race\, spirituality\, and c
 ultural mythologies. The integration of schools in Philadelphia impacted M
 orris as an adolescent and still influences his work today. Morris has foc
 used his studio practice on monochromatic black paintings in the shapes of
  circles and squares since the early 1960s. Morris’ AEIVA exhibition fea
 tures a selection of paintings that span five decades of the artist’s ca
 reer.\n\nThrough his paintings\, Morris is able to process his ideas on ra
 ce\, ethnicity\, and culture\, while at the same time constructing a socia
 l commentary on the Civil Rights Movement. Morris wants the viewer to take
  an intense look into his deceptively simple paintings - understanding tha
 t the color black is both beautiful and complex. This will be Quentin Morr
 is’ first major exhibition in the South.\n\nOpening reception: September
  7th\, 6-8pm\n\nImage credit:\nQuentin Morris  \nUntitled (March\, 2019) \
 n2019\, detail \nSilkscreen ink and polymer acrylic on canvas\n6-foot circ
 le \n\nCourtesy of the artist\, Larry Becker Contemporary Art\, and Blum &
  Poe\, NYC\n\nPhotograph by Brice Goldberg
GEO:33.4968;-86.80707
LOCATION:Abroms-Engel Institute for the Visual Arts
SUMMARY:Quentin Morris
URL;VALUE=URI:https://calendar.uab.edu/event/quentin_morris
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260910T231343Z
UID:tag:localist.com\,2008:EventInstance_31132282201844
DTSTART:20190906T150000Z
DTEND:20190906T230000Z
DESCRIPTION:Philadelphia-based artist Quentin Morris uses a variety of mate
 rials to explore issues surrounding identity\, race\, spirituality\, and c
 ultural mythologies. The integration of schools in Philadelphia impacted M
 orris as an adolescent and still influences his work today. Morris has foc
 used his studio practice on monochromatic black paintings in the shapes of
  circles and squares since the early 1960s. Morris’ AEIVA exhibition fea
 tures a selection of paintings that span five decades of the artist’s ca
 reer.\n\nThrough his paintings\, Morris is able to process his ideas on ra
 ce\, ethnicity\, and culture\, while at the same time constructing a socia
 l commentary on the Civil Rights Movement. Morris wants the viewer to take
  an intense look into his deceptively simple paintings - understanding tha
 t the color black is both beautiful and complex. This will be Quentin Morr
 is’ first major exhibition in the South.\n\nOpening reception: September
  7th\, 6-8pm\n\nImage credit:\nQuentin Morris  \nUntitled (March\, 2019) \
 n2019\, detail \nSilkscreen ink and polymer acrylic on canvas\n6-foot circ
 le \n\nCourtesy of the artist\, Larry Becker Contemporary Art\, and Blum &
  Poe\, NYC\n\nPhotograph by Brice Goldberg
GEO:33.4968;-86.80707
LOCATION:Abroms-Engel Institute for the Visual Arts
SUMMARY:Quentin Morris
URL;VALUE=URI:https://calendar.uab.edu/event/quentin_morris
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260910T231343Z
UID:tag:localist.com\,2008:EventInstance_31132282202652
DTSTART:20190907T170000Z
DTEND:20190907T230000Z
DESCRIPTION:Philadelphia-based artist Quentin Morris uses a variety of mate
 rials to explore issues surrounding identity\, race\, spirituality\, and c
 ultural mythologies. The integration of schools in Philadelphia impacted M
 orris as an adolescent and still influences his work today. Morris has foc
 used his studio practice on monochromatic black paintings in the shapes of
  circles and squares since the early 1960s. Morris’ AEIVA exhibition fea
 tures a selection of paintings that span five decades of the artist’s ca
 reer.\n\nThrough his paintings\, Morris is able to process his ideas on ra
 ce\, ethnicity\, and culture\, while at the same time constructing a socia
 l commentary on the Civil Rights Movement. Morris wants the viewer to take
  an intense look into his deceptively simple paintings - understanding tha
 t the color black is both beautiful and complex. This will be Quentin Morr
 is’ first major exhibition in the South.\n\nOpening reception: September
  7th\, 6-8pm\n\nImage credit:\nQuentin Morris  \nUntitled (March\, 2019) \
 n2019\, detail \nSilkscreen ink and polymer acrylic on canvas\n6-foot circ
 le \n\nCourtesy of the artist\, Larry Becker Contemporary Art\, and Blum &
  Poe\, NYC\n\nPhotograph by Brice Goldberg
GEO:33.4968;-86.80707
LOCATION:Abroms-Engel Institute for the Visual Arts
SUMMARY:Quentin Morris
URL;VALUE=URI:https://calendar.uab.edu/event/quentin_morris
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260910T231343Z
UID:tag:localist.com\,2008:EventInstance_31132282204874
DTSTART:20190909T150000Z
DTEND:20190909T230000Z
DESCRIPTION:Philadelphia-based artist Quentin Morris uses a variety of mate
 rials to explore issues surrounding identity\, race\, spirituality\, and c
 ultural mythologies. The integration of schools in Philadelphia impacted M
 orris as an adolescent and still influences his work today. Morris has foc
 used his studio practice on monochromatic black paintings in the shapes of
  circles and squares since the early 1960s. Morris’ AEIVA exhibition fea
 tures a selection of paintings that span five decades of the artist’s ca
 reer.\n\nThrough his paintings\, Morris is able to process his ideas on ra
 ce\, ethnicity\, and culture\, while at the same time constructing a socia
 l commentary on the Civil Rights Movement. Morris wants the viewer to take
  an intense look into his deceptively simple paintings - understanding tha
 t the color black is both beautiful and complex. This will be Quentin Morr
 is’ first major exhibition in the South.\n\nOpening reception: September
  7th\, 6-8pm\n\nImage credit:\nQuentin Morris  \nUntitled (March\, 2019) \
 n2019\, detail \nSilkscreen ink and polymer acrylic on canvas\n6-foot circ
 le \n\nCourtesy of the artist\, Larry Becker Contemporary Art\, and Blum &
  Poe\, NYC\n\nPhotograph by Brice Goldberg
GEO:33.4968;-86.80707
LOCATION:Abroms-Engel Institute for the Visual Arts
SUMMARY:Quentin Morris
URL;VALUE=URI:https://calendar.uab.edu/event/quentin_morris
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260910T231343Z
UID:tag:localist.com\,2008:EventInstance_31132282205290
DTSTART:20190910T150000Z
DTEND:20190910T230000Z
DESCRIPTION:Philadelphia-based artist Quentin Morris uses a variety of mate
 rials to explore issues surrounding identity\, race\, spirituality\, and c
 ultural mythologies. The integration of schools in Philadelphia impacted M
 orris as an adolescent and still influences his work today. Morris has foc
 used his studio practice on monochromatic black paintings in the shapes of
  circles and squares since the early 1960s. Morris’ AEIVA exhibition fea
 tures a selection of paintings that span five decades of the artist’s ca
 reer.\n\nThrough his paintings\, Morris is able to process his ideas on ra
 ce\, ethnicity\, and culture\, while at the same time constructing a socia
 l commentary on the Civil Rights Movement. Morris wants the viewer to take
  an intense look into his deceptively simple paintings - understanding tha
 t the color black is both beautiful and complex. This will be Quentin Morr
 is’ first major exhibition in the South.\n\nOpening reception: September
  7th\, 6-8pm\n\nImage credit:\nQuentin Morris  \nUntitled (March\, 2019) \
 n2019\, detail \nSilkscreen ink and polymer acrylic on canvas\n6-foot circ
 le \n\nCourtesy of the artist\, Larry Becker Contemporary Art\, and Blum &
  Poe\, NYC\n\nPhotograph by Brice Goldberg
GEO:33.4968;-86.80707
LOCATION:Abroms-Engel Institute for the Visual Arts
SUMMARY:Quentin Morris
URL;VALUE=URI:https://calendar.uab.edu/event/quentin_morris
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260910T231343Z
UID:tag:localist.com\,2008:EventInstance_31132282208240
DTSTART:20190911T150000Z
DTEND:20190911T230000Z
DESCRIPTION:Philadelphia-based artist Quentin Morris uses a variety of mate
 rials to explore issues surrounding identity\, race\, spirituality\, and c
 ultural mythologies. The integration of schools in Philadelphia impacted M
 orris as an adolescent and still influences his work today. Morris has foc
 used his studio practice on monochromatic black paintings in the shapes of
  circles and squares since the early 1960s. Morris’ AEIVA exhibition fea
 tures a selection of paintings that span five decades of the artist’s ca
 reer.\n\nThrough his paintings\, Morris is able to process his ideas on ra
 ce\, ethnicity\, and culture\, while at the same time constructing a socia
 l commentary on the Civil Rights Movement. Morris wants the viewer to take
  an intense look into his deceptively simple paintings - understanding tha
 t the color black is both beautiful and complex. This will be Quentin Morr
 is’ first major exhibition in the South.\n\nOpening reception: September
  7th\, 6-8pm\n\nImage credit:\nQuentin Morris  \nUntitled (March\, 2019) \
 n2019\, detail \nSilkscreen ink and polymer acrylic on canvas\n6-foot circ
 le \n\nCourtesy of the artist\, Larry Becker Contemporary Art\, and Blum &
  Poe\, NYC\n\nPhotograph by Brice Goldberg
GEO:33.4968;-86.80707
LOCATION:Abroms-Engel Institute for the Visual Arts
SUMMARY:Quentin Morris
URL;VALUE=URI:https://calendar.uab.edu/event/quentin_morris
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260910T231343Z
UID:tag:localist.com\,2008:EventInstance_31132282208802
DTSTART:20190912T150000Z
DTEND:20190912T230000Z
DESCRIPTION:Philadelphia-based artist Quentin Morris uses a variety of mate
 rials to explore issues surrounding identity\, race\, spirituality\, and c
 ultural mythologies. The integration of schools in Philadelphia impacted M
 orris as an adolescent and still influences his work today. Morris has foc
 used his studio practice on monochromatic black paintings in the shapes of
  circles and squares since the early 1960s. Morris’ AEIVA exhibition fea
 tures a selection of paintings that span five decades of the artist’s ca
 reer.\n\nThrough his paintings\, Morris is able to process his ideas on ra
 ce\, ethnicity\, and culture\, while at the same time constructing a socia
 l commentary on the Civil Rights Movement. Morris wants the viewer to take
  an intense look into his deceptively simple paintings - understanding tha
 t the color black is both beautiful and complex. This will be Quentin Morr
 is’ first major exhibition in the South.\n\nOpening reception: September
  7th\, 6-8pm\n\nImage credit:\nQuentin Morris  \nUntitled (March\, 2019) \
 n2019\, detail \nSilkscreen ink and polymer acrylic on canvas\n6-foot circ
 le \n\nCourtesy of the artist\, Larry Becker Contemporary Art\, and Blum &
  Poe\, NYC\n\nPhotograph by Brice Goldberg
GEO:33.4968;-86.80707
LOCATION:Abroms-Engel Institute for the Visual Arts
SUMMARY:Quentin Morris
URL;VALUE=URI:https://calendar.uab.edu/event/quentin_morris
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260910T231343Z
UID:tag:localist.com\,2008:EventInstance_31132282210329
DTSTART:20190913T150000Z
DTEND:20190913T230000Z
DESCRIPTION:Philadelphia-based artist Quentin Morris uses a variety of mate
 rials to explore issues surrounding identity\, race\, spirituality\, and c
 ultural mythologies. The integration of schools in Philadelphia impacted M
 orris as an adolescent and still influences his work today. Morris has foc
 used his studio practice on monochromatic black paintings in the shapes of
  circles and squares since the early 1960s. Morris’ AEIVA exhibition fea
 tures a selection of paintings that span five decades of the artist’s ca
 reer.\n\nThrough his paintings\, Morris is able to process his ideas on ra
 ce\, ethnicity\, and culture\, while at the same time constructing a socia
 l commentary on the Civil Rights Movement. Morris wants the viewer to take
  an intense look into his deceptively simple paintings - understanding tha
 t the color black is both beautiful and complex. This will be Quentin Morr
 is’ first major exhibition in the South.\n\nOpening reception: September
  7th\, 6-8pm\n\nImage credit:\nQuentin Morris  \nUntitled (March\, 2019) \
 n2019\, detail \nSilkscreen ink and polymer acrylic on canvas\n6-foot circ
 le \n\nCourtesy of the artist\, Larry Becker Contemporary Art\, and Blum &
  Poe\, NYC\n\nPhotograph by Brice Goldberg
GEO:33.4968;-86.80707
LOCATION:Abroms-Engel Institute for the Visual Arts
SUMMARY:Quentin Morris
URL;VALUE=URI:https://calendar.uab.edu/event/quentin_morris
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260910T231343Z
UID:tag:localist.com\,2008:EventInstance_31132282212342
DTSTART:20190914T170000Z
DTEND:20190914T230000Z
DESCRIPTION:Philadelphia-based artist Quentin Morris uses a variety of mate
 rials to explore issues surrounding identity\, race\, spirituality\, and c
 ultural mythologies. The integration of schools in Philadelphia impacted M
 orris as an adolescent and still influences his work today. Morris has foc
 used his studio practice on monochromatic black paintings in the shapes of
  circles and squares since the early 1960s. Morris’ AEIVA exhibition fea
 tures a selection of paintings that span five decades of the artist’s ca
 reer.\n\nThrough his paintings\, Morris is able to process his ideas on ra
 ce\, ethnicity\, and culture\, while at the same time constructing a socia
 l commentary on the Civil Rights Movement. Morris wants the viewer to take
  an intense look into his deceptively simple paintings - understanding tha
 t the color black is both beautiful and complex. This will be Quentin Morr
 is’ first major exhibition in the South.\n\nOpening reception: September
  7th\, 6-8pm\n\nImage credit:\nQuentin Morris  \nUntitled (March\, 2019) \
 n2019\, detail \nSilkscreen ink and polymer acrylic on canvas\n6-foot circ
 le \n\nCourtesy of the artist\, Larry Becker Contemporary Art\, and Blum &
  Poe\, NYC\n\nPhotograph by Brice Goldberg
GEO:33.4968;-86.80707
LOCATION:Abroms-Engel Institute for the Visual Arts
SUMMARY:Quentin Morris
URL;VALUE=URI:https://calendar.uab.edu/event/quentin_morris
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260910T231343Z
UID:tag:localist.com\,2008:EventInstance_31132282213710
DTSTART:20190916T150000Z
DTEND:20190916T230000Z
DESCRIPTION:Philadelphia-based artist Quentin Morris uses a variety of mate
 rials to explore issues surrounding identity\, race\, spirituality\, and c
 ultural mythologies. The integration of schools in Philadelphia impacted M
 orris as an adolescent and still influences his work today. Morris has foc
 used his studio practice on monochromatic black paintings in the shapes of
  circles and squares since the early 1960s. Morris’ AEIVA exhibition fea
 tures a selection of paintings that span five decades of the artist’s ca
 reer.\n\nThrough his paintings\, Morris is able to process his ideas on ra
 ce\, ethnicity\, and culture\, while at the same time constructing a socia
 l commentary on the Civil Rights Movement. Morris wants the viewer to take
  an intense look into his deceptively simple paintings - understanding tha
 t the color black is both beautiful and complex. This will be Quentin Morr
 is’ first major exhibition in the South.\n\nOpening reception: September
  7th\, 6-8pm\n\nImage credit:\nQuentin Morris  \nUntitled (March\, 2019) \
 n2019\, detail \nSilkscreen ink and polymer acrylic on canvas\n6-foot circ
 le \n\nCourtesy of the artist\, Larry Becker Contemporary Art\, and Blum &
  Poe\, NYC\n\nPhotograph by Brice Goldberg
GEO:33.4968;-86.80707
LOCATION:Abroms-Engel Institute for the Visual Arts
SUMMARY:Quentin Morris
URL;VALUE=URI:https://calendar.uab.edu/event/quentin_morris
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260910T231343Z
UID:tag:localist.com\,2008:EventInstance_31132282215071
DTSTART:20190917T150000Z
DTEND:20190917T230000Z
DESCRIPTION:Philadelphia-based artist Quentin Morris uses a variety of mate
 rials to explore issues surrounding identity\, race\, spirituality\, and c
 ultural mythologies. The integration of schools in Philadelphia impacted M
 orris as an adolescent and still influences his work today. Morris has foc
 used his studio practice on monochromatic black paintings in the shapes of
  circles and squares since the early 1960s. Morris’ AEIVA exhibition fea
 tures a selection of paintings that span five decades of the artist’s ca
 reer.\n\nThrough his paintings\, Morris is able to process his ideas on ra
 ce\, ethnicity\, and culture\, while at the same time constructing a socia
 l commentary on the Civil Rights Movement. Morris wants the viewer to take
  an intense look into his deceptively simple paintings - understanding tha
 t the color black is both beautiful and complex. This will be Quentin Morr
 is’ first major exhibition in the South.\n\nOpening reception: September
  7th\, 6-8pm\n\nImage credit:\nQuentin Morris  \nUntitled (March\, 2019) \
 n2019\, detail \nSilkscreen ink and polymer acrylic on canvas\n6-foot circ
 le \n\nCourtesy of the artist\, Larry Becker Contemporary Art\, and Blum &
  Poe\, NYC\n\nPhotograph by Brice Goldberg
GEO:33.4968;-86.80707
LOCATION:Abroms-Engel Institute for the Visual Arts
SUMMARY:Quentin Morris
URL;VALUE=URI:https://calendar.uab.edu/event/quentin_morris
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260910T231343Z
UID:tag:localist.com\,2008:EventInstance_31132282216207
DTSTART:20190918T150000Z
DTEND:20190918T230000Z
DESCRIPTION:Philadelphia-based artist Quentin Morris uses a variety of mate
 rials to explore issues surrounding identity\, race\, spirituality\, and c
 ultural mythologies. The integration of schools in Philadelphia impacted M
 orris as an adolescent and still influences his work today. Morris has foc
 used his studio practice on monochromatic black paintings in the shapes of
  circles and squares since the early 1960s. Morris’ AEIVA exhibition fea
 tures a selection of paintings that span five decades of the artist’s ca
 reer.\n\nThrough his paintings\, Morris is able to process his ideas on ra
 ce\, ethnicity\, and culture\, while at the same time constructing a socia
 l commentary on the Civil Rights Movement. Morris wants the viewer to take
  an intense look into his deceptively simple paintings - understanding tha
 t the color black is both beautiful and complex. This will be Quentin Morr
 is’ first major exhibition in the South.\n\nOpening reception: September
  7th\, 6-8pm\n\nImage credit:\nQuentin Morris  \nUntitled (March\, 2019) \
 n2019\, detail \nSilkscreen ink and polymer acrylic on canvas\n6-foot circ
 le \n\nCourtesy of the artist\, Larry Becker Contemporary Art\, and Blum &
  Poe\, NYC\n\nPhotograph by Brice Goldberg
GEO:33.4968;-86.80707
LOCATION:Abroms-Engel Institute for the Visual Arts
SUMMARY:Quentin Morris
URL;VALUE=URI:https://calendar.uab.edu/event/quentin_morris
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260910T231343Z
UID:tag:localist.com\,2008:EventInstance_31132282217752
DTSTART:20190919T150000Z
DTEND:20190919T230000Z
DESCRIPTION:Philadelphia-based artist Quentin Morris uses a variety of mate
 rials to explore issues surrounding identity\, race\, spirituality\, and c
 ultural mythologies. The integration of schools in Philadelphia impacted M
 orris as an adolescent and still influences his work today. Morris has foc
 used his studio practice on monochromatic black paintings in the shapes of
  circles and squares since the early 1960s. Morris’ AEIVA exhibition fea
 tures a selection of paintings that span five decades of the artist’s ca
 reer.\n\nThrough his paintings\, Morris is able to process his ideas on ra
 ce\, ethnicity\, and culture\, while at the same time constructing a socia
 l commentary on the Civil Rights Movement. Morris wants the viewer to take
  an intense look into his deceptively simple paintings - understanding tha
 t the color black is both beautiful and complex. This will be Quentin Morr
 is’ first major exhibition in the South.\n\nOpening reception: September
  7th\, 6-8pm\n\nImage credit:\nQuentin Morris  \nUntitled (March\, 2019) \
 n2019\, detail \nSilkscreen ink and polymer acrylic on canvas\n6-foot circ
 le \n\nCourtesy of the artist\, Larry Becker Contemporary Art\, and Blum &
  Poe\, NYC\n\nPhotograph by Brice Goldberg
GEO:33.4968;-86.80707
LOCATION:Abroms-Engel Institute for the Visual Arts
SUMMARY:Quentin Morris
URL;VALUE=URI:https://calendar.uab.edu/event/quentin_morris
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260910T231343Z
UID:tag:localist.com\,2008:EventInstance_31132282218977
DTSTART:20190920T150000Z
DTEND:20190920T230000Z
DESCRIPTION:Philadelphia-based artist Quentin Morris uses a variety of mate
 rials to explore issues surrounding identity\, race\, spirituality\, and c
 ultural mythologies. The integration of schools in Philadelphia impacted M
 orris as an adolescent and still influences his work today. Morris has foc
 used his studio practice on monochromatic black paintings in the shapes of
  circles and squares since the early 1960s. Morris’ AEIVA exhibition fea
 tures a selection of paintings that span five decades of the artist’s ca
 reer.\n\nThrough his paintings\, Morris is able to process his ideas on ra
 ce\, ethnicity\, and culture\, while at the same time constructing a socia
 l commentary on the Civil Rights Movement. Morris wants the viewer to take
  an intense look into his deceptively simple paintings - understanding tha
 t the color black is both beautiful and complex. This will be Quentin Morr
 is’ first major exhibition in the South.\n\nOpening reception: September
  7th\, 6-8pm\n\nImage credit:\nQuentin Morris  \nUntitled (March\, 2019) \
 n2019\, detail \nSilkscreen ink and polymer acrylic on canvas\n6-foot circ
 le \n\nCourtesy of the artist\, Larry Becker Contemporary Art\, and Blum &
  Poe\, NYC\n\nPhotograph by Brice Goldberg
GEO:33.4968;-86.80707
LOCATION:Abroms-Engel Institute for the Visual Arts
SUMMARY:Quentin Morris
URL;VALUE=URI:https://calendar.uab.edu/event/quentin_morris
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260910T231343Z
UID:tag:localist.com\,2008:EventInstance_31132282220046
DTSTART:20190921T170000Z
DTEND:20190921T230000Z
DESCRIPTION:Philadelphia-based artist Quentin Morris uses a variety of mate
 rials to explore issues surrounding identity\, race\, spirituality\, and c
 ultural mythologies. The integration of schools in Philadelphia impacted M
 orris as an adolescent and still influences his work today. Morris has foc
 used his studio practice on monochromatic black paintings in the shapes of
  circles and squares since the early 1960s. Morris’ AEIVA exhibition fea
 tures a selection of paintings that span five decades of the artist’s ca
 reer.\n\nThrough his paintings\, Morris is able to process his ideas on ra
 ce\, ethnicity\, and culture\, while at the same time constructing a socia
 l commentary on the Civil Rights Movement. Morris wants the viewer to take
  an intense look into his deceptively simple paintings - understanding tha
 t the color black is both beautiful and complex. This will be Quentin Morr
 is’ first major exhibition in the South.\n\nOpening reception: September
  7th\, 6-8pm\n\nImage credit:\nQuentin Morris  \nUntitled (March\, 2019) \
 n2019\, detail \nSilkscreen ink and polymer acrylic on canvas\n6-foot circ
 le \n\nCourtesy of the artist\, Larry Becker Contemporary Art\, and Blum &
  Poe\, NYC\n\nPhotograph by Brice Goldberg
GEO:33.4968;-86.80707
LOCATION:Abroms-Engel Institute for the Visual Arts
SUMMARY:Quentin Morris
URL;VALUE=URI:https://calendar.uab.edu/event/quentin_morris
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260910T231343Z
UID:tag:localist.com\,2008:EventInstance_31132282221697
DTSTART:20190923T150000Z
DTEND:20190923T230000Z
DESCRIPTION:Philadelphia-based artist Quentin Morris uses a variety of mate
 rials to explore issues surrounding identity\, race\, spirituality\, and c
 ultural mythologies. The integration of schools in Philadelphia impacted M
 orris as an adolescent and still influences his work today. Morris has foc
 used his studio practice on monochromatic black paintings in the shapes of
  circles and squares since the early 1960s. Morris’ AEIVA exhibition fea
 tures a selection of paintings that span five decades of the artist’s ca
 reer.\n\nThrough his paintings\, Morris is able to process his ideas on ra
 ce\, ethnicity\, and culture\, while at the same time constructing a socia
 l commentary on the Civil Rights Movement. Morris wants the viewer to take
  an intense look into his deceptively simple paintings - understanding tha
 t the color black is both beautiful and complex. This will be Quentin Morr
 is’ first major exhibition in the South.\n\nOpening reception: September
  7th\, 6-8pm\n\nImage credit:\nQuentin Morris  \nUntitled (March\, 2019) \
 n2019\, detail \nSilkscreen ink and polymer acrylic on canvas\n6-foot circ
 le \n\nCourtesy of the artist\, Larry Becker Contemporary Art\, and Blum &
  Poe\, NYC\n\nPhotograph by Brice Goldberg
GEO:33.4968;-86.80707
LOCATION:Abroms-Engel Institute for the Visual Arts
SUMMARY:Quentin Morris
URL;VALUE=URI:https://calendar.uab.edu/event/quentin_morris
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260910T231343Z
UID:tag:localist.com\,2008:EventInstance_31132282223395
DTSTART:20190924T150000Z
DTEND:20190924T230000Z
DESCRIPTION:Philadelphia-based artist Quentin Morris uses a variety of mate
 rials to explore issues surrounding identity\, race\, spirituality\, and c
 ultural mythologies. The integration of schools in Philadelphia impacted M
 orris as an adolescent and still influences his work today. Morris has foc
 used his studio practice on monochromatic black paintings in the shapes of
  circles and squares since the early 1960s. Morris’ AEIVA exhibition fea
 tures a selection of paintings that span five decades of the artist’s ca
 reer.\n\nThrough his paintings\, Morris is able to process his ideas on ra
 ce\, ethnicity\, and culture\, while at the same time constructing a socia
 l commentary on the Civil Rights Movement. Morris wants the viewer to take
  an intense look into his deceptively simple paintings - understanding tha
 t the color black is both beautiful and complex. This will be Quentin Morr
 is’ first major exhibition in the South.\n\nOpening reception: September
  7th\, 6-8pm\n\nImage credit:\nQuentin Morris  \nUntitled (March\, 2019) \
 n2019\, detail \nSilkscreen ink and polymer acrylic on canvas\n6-foot circ
 le \n\nCourtesy of the artist\, Larry Becker Contemporary Art\, and Blum &
  Poe\, NYC\n\nPhotograph by Brice Goldberg
GEO:33.4968;-86.80707
LOCATION:Abroms-Engel Institute for the Visual Arts
SUMMARY:Quentin Morris
URL;VALUE=URI:https://calendar.uab.edu/event/quentin_morris
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260910T231343Z
UID:tag:localist.com\,2008:EventInstance_31132282225270
DTSTART:20190925T150000Z
DTEND:20190925T230000Z
DESCRIPTION:Philadelphia-based artist Quentin Morris uses a variety of mate
 rials to explore issues surrounding identity\, race\, spirituality\, and c
 ultural mythologies. The integration of schools in Philadelphia impacted M
 orris as an adolescent and still influences his work today. Morris has foc
 used his studio practice on monochromatic black paintings in the shapes of
  circles and squares since the early 1960s. Morris’ AEIVA exhibition fea
 tures a selection of paintings that span five decades of the artist’s ca
 reer.\n\nThrough his paintings\, Morris is able to process his ideas on ra
 ce\, ethnicity\, and culture\, while at the same time constructing a socia
 l commentary on the Civil Rights Movement. Morris wants the viewer to take
  an intense look into his deceptively simple paintings - understanding tha
 t the color black is both beautiful and complex. This will be Quentin Morr
 is’ first major exhibition in the South.\n\nOpening reception: September
  7th\, 6-8pm\n\nImage credit:\nQuentin Morris  \nUntitled (March\, 2019) \
 n2019\, detail \nSilkscreen ink and polymer acrylic on canvas\n6-foot circ
 le \n\nCourtesy of the artist\, Larry Becker Contemporary Art\, and Blum &
  Poe\, NYC\n\nPhotograph by Brice Goldberg
GEO:33.4968;-86.80707
LOCATION:Abroms-Engel Institute for the Visual Arts
SUMMARY:Quentin Morris
URL;VALUE=URI:https://calendar.uab.edu/event/quentin_morris
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260910T231343Z
UID:tag:localist.com\,2008:EventInstance_31132282225884
DTSTART:20190926T150000Z
DTEND:20190926T230000Z
DESCRIPTION:Philadelphia-based artist Quentin Morris uses a variety of mate
 rials to explore issues surrounding identity\, race\, spirituality\, and c
 ultural mythologies. The integration of schools in Philadelphia impacted M
 orris as an adolescent and still influences his work today. Morris has foc
 used his studio practice on monochromatic black paintings in the shapes of
  circles and squares since the early 1960s. Morris’ AEIVA exhibition fea
 tures a selection of paintings that span five decades of the artist’s ca
 reer.\n\nThrough his paintings\, Morris is able to process his ideas on ra
 ce\, ethnicity\, and culture\, while at the same time constructing a socia
 l commentary on the Civil Rights Movement. Morris wants the viewer to take
  an intense look into his deceptively simple paintings - understanding tha
 t the color black is both beautiful and complex. This will be Quentin Morr
 is’ first major exhibition in the South.\n\nOpening reception: September
  7th\, 6-8pm\n\nImage credit:\nQuentin Morris  \nUntitled (March\, 2019) \
 n2019\, detail \nSilkscreen ink and polymer acrylic on canvas\n6-foot circ
 le \n\nCourtesy of the artist\, Larry Becker Contemporary Art\, and Blum &
  Poe\, NYC\n\nPhotograph by Brice Goldberg
GEO:33.4968;-86.80707
LOCATION:Abroms-Engel Institute for the Visual Arts
SUMMARY:Quentin Morris
URL;VALUE=URI:https://calendar.uab.edu/event/quentin_morris
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260910T231343Z
UID:tag:localist.com\,2008:EventInstance_31132282226742
DTSTART:20190927T150000Z
DTEND:20190927T230000Z
DESCRIPTION:Philadelphia-based artist Quentin Morris uses a variety of mate
 rials to explore issues surrounding identity\, race\, spirituality\, and c
 ultural mythologies. The integration of schools in Philadelphia impacted M
 orris as an adolescent and still influences his work today. Morris has foc
 used his studio practice on monochromatic black paintings in the shapes of
  circles and squares since the early 1960s. Morris’ AEIVA exhibition fea
 tures a selection of paintings that span five decades of the artist’s ca
 reer.\n\nThrough his paintings\, Morris is able to process his ideas on ra
 ce\, ethnicity\, and culture\, while at the same time constructing a socia
 l commentary on the Civil Rights Movement. Morris wants the viewer to take
  an intense look into his deceptively simple paintings - understanding tha
 t the color black is both beautiful and complex. This will be Quentin Morr
 is’ first major exhibition in the South.\n\nOpening reception: September
  7th\, 6-8pm\n\nImage credit:\nQuentin Morris  \nUntitled (March\, 2019) \
 n2019\, detail \nSilkscreen ink and polymer acrylic on canvas\n6-foot circ
 le \n\nCourtesy of the artist\, Larry Becker Contemporary Art\, and Blum &
  Poe\, NYC\n\nPhotograph by Brice Goldberg
GEO:33.4968;-86.80707
LOCATION:Abroms-Engel Institute for the Visual Arts
SUMMARY:Quentin Morris
URL;VALUE=URI:https://calendar.uab.edu/event/quentin_morris
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260910T231344Z
UID:tag:localist.com\,2008:EventInstance_31132282229029
DTSTART:20190928T170000Z
DTEND:20190928T230000Z
DESCRIPTION:Philadelphia-based artist Quentin Morris uses a variety of mate
 rials to explore issues surrounding identity\, race\, spirituality\, and c
 ultural mythologies. The integration of schools in Philadelphia impacted M
 orris as an adolescent and still influences his work today. Morris has foc
 used his studio practice on monochromatic black paintings in the shapes of
  circles and squares since the early 1960s. Morris’ AEIVA exhibition fea
 tures a selection of paintings that span five decades of the artist’s ca
 reer.\n\nThrough his paintings\, Morris is able to process his ideas on ra
 ce\, ethnicity\, and culture\, while at the same time constructing a socia
 l commentary on the Civil Rights Movement. Morris wants the viewer to take
  an intense look into his deceptively simple paintings - understanding tha
 t the color black is both beautiful and complex. This will be Quentin Morr
 is’ first major exhibition in the South.\n\nOpening reception: September
  7th\, 6-8pm\n\nImage credit:\nQuentin Morris  \nUntitled (March\, 2019) \
 n2019\, detail \nSilkscreen ink and polymer acrylic on canvas\n6-foot circ
 le \n\nCourtesy of the artist\, Larry Becker Contemporary Art\, and Blum &
  Poe\, NYC\n\nPhotograph by Brice Goldberg
GEO:33.4968;-86.80707
LOCATION:Abroms-Engel Institute for the Visual Arts
SUMMARY:Quentin Morris
URL;VALUE=URI:https://calendar.uab.edu/event/quentin_morris
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260910T231344Z
UID:tag:localist.com\,2008:EventInstance_31132282231366
DTSTART:20190930T150000Z
DTEND:20190930T230000Z
DESCRIPTION:Philadelphia-based artist Quentin Morris uses a variety of mate
 rials to explore issues surrounding identity\, race\, spirituality\, and c
 ultural mythologies. The integration of schools in Philadelphia impacted M
 orris as an adolescent and still influences his work today. Morris has foc
 used his studio practice on monochromatic black paintings in the shapes of
  circles and squares since the early 1960s. Morris’ AEIVA exhibition fea
 tures a selection of paintings that span five decades of the artist’s ca
 reer.\n\nThrough his paintings\, Morris is able to process his ideas on ra
 ce\, ethnicity\, and culture\, while at the same time constructing a socia
 l commentary on the Civil Rights Movement. Morris wants the viewer to take
  an intense look into his deceptively simple paintings - understanding tha
 t the color black is both beautiful and complex. This will be Quentin Morr
 is’ first major exhibition in the South.\n\nOpening reception: September
  7th\, 6-8pm\n\nImage credit:\nQuentin Morris  \nUntitled (March\, 2019) \
 n2019\, detail \nSilkscreen ink and polymer acrylic on canvas\n6-foot circ
 le \n\nCourtesy of the artist\, Larry Becker Contemporary Art\, and Blum &
  Poe\, NYC\n\nPhotograph by Brice Goldberg
GEO:33.4968;-86.80707
LOCATION:Abroms-Engel Institute for the Visual Arts
SUMMARY:Quentin Morris
URL;VALUE=URI:https://calendar.uab.edu/event/quentin_morris
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260910T231344Z
UID:tag:localist.com\,2008:EventInstance_31132282231925
DTSTART:20191001T150000Z
DTEND:20191001T230000Z
DESCRIPTION:Philadelphia-based artist Quentin Morris uses a variety of mate
 rials to explore issues surrounding identity\, race\, spirituality\, and c
 ultural mythologies. The integration of schools in Philadelphia impacted M
 orris as an adolescent and still influences his work today. Morris has foc
 used his studio practice on monochromatic black paintings in the shapes of
  circles and squares since the early 1960s. Morris’ AEIVA exhibition fea
 tures a selection of paintings that span five decades of the artist’s ca
 reer.\n\nThrough his paintings\, Morris is able to process his ideas on ra
 ce\, ethnicity\, and culture\, while at the same time constructing a socia
 l commentary on the Civil Rights Movement. Morris wants the viewer to take
  an intense look into his deceptively simple paintings - understanding tha
 t the color black is both beautiful and complex. This will be Quentin Morr
 is’ first major exhibition in the South.\n\nOpening reception: September
  7th\, 6-8pm\n\nImage credit:\nQuentin Morris  \nUntitled (March\, 2019) \
 n2019\, detail \nSilkscreen ink and polymer acrylic on canvas\n6-foot circ
 le \n\nCourtesy of the artist\, Larry Becker Contemporary Art\, and Blum &
  Poe\, NYC\n\nPhotograph by Brice Goldberg
GEO:33.4968;-86.80707
LOCATION:Abroms-Engel Institute for the Visual Arts
SUMMARY:Quentin Morris
URL;VALUE=URI:https://calendar.uab.edu/event/quentin_morris
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260910T231344Z
UID:tag:localist.com\,2008:EventInstance_31132282234485
DTSTART:20191002T150000Z
DTEND:20191002T230000Z
DESCRIPTION:Philadelphia-based artist Quentin Morris uses a variety of mate
 rials to explore issues surrounding identity\, race\, spirituality\, and c
 ultural mythologies. The integration of schools in Philadelphia impacted M
 orris as an adolescent and still influences his work today. Morris has foc
 used his studio practice on monochromatic black paintings in the shapes of
  circles and squares since the early 1960s. Morris’ AEIVA exhibition fea
 tures a selection of paintings that span five decades of the artist’s ca
 reer.\n\nThrough his paintings\, Morris is able to process his ideas on ra
 ce\, ethnicity\, and culture\, while at the same time constructing a socia
 l commentary on the Civil Rights Movement. Morris wants the viewer to take
  an intense look into his deceptively simple paintings - understanding tha
 t the color black is both beautiful and complex. This will be Quentin Morr
 is’ first major exhibition in the South.\n\nOpening reception: September
  7th\, 6-8pm\n\nImage credit:\nQuentin Morris  \nUntitled (March\, 2019) \
 n2019\, detail \nSilkscreen ink and polymer acrylic on canvas\n6-foot circ
 le \n\nCourtesy of the artist\, Larry Becker Contemporary Art\, and Blum &
  Poe\, NYC\n\nPhotograph by Brice Goldberg
GEO:33.4968;-86.80707
LOCATION:Abroms-Engel Institute for the Visual Arts
SUMMARY:Quentin Morris
URL;VALUE=URI:https://calendar.uab.edu/event/quentin_morris
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260910T231344Z
UID:tag:localist.com\,2008:EventInstance_31132282236195
DTSTART:20191003T150000Z
DTEND:20191003T230000Z
DESCRIPTION:Philadelphia-based artist Quentin Morris uses a variety of mate
 rials to explore issues surrounding identity\, race\, spirituality\, and c
 ultural mythologies. The integration of schools in Philadelphia impacted M
 orris as an adolescent and still influences his work today. Morris has foc
 used his studio practice on monochromatic black paintings in the shapes of
  circles and squares since the early 1960s. Morris’ AEIVA exhibition fea
 tures a selection of paintings that span five decades of the artist’s ca
 reer.\n\nThrough his paintings\, Morris is able to process his ideas on ra
 ce\, ethnicity\, and culture\, while at the same time constructing a socia
 l commentary on the Civil Rights Movement. Morris wants the viewer to take
  an intense look into his deceptively simple paintings - understanding tha
 t the color black is both beautiful and complex. This will be Quentin Morr
 is’ first major exhibition in the South.\n\nOpening reception: September
  7th\, 6-8pm\n\nImage credit:\nQuentin Morris  \nUntitled (March\, 2019) \
 n2019\, detail \nSilkscreen ink and polymer acrylic on canvas\n6-foot circ
 le \n\nCourtesy of the artist\, Larry Becker Contemporary Art\, and Blum &
  Poe\, NYC\n\nPhotograph by Brice Goldberg
GEO:33.4968;-86.80707
LOCATION:Abroms-Engel Institute for the Visual Arts
SUMMARY:Quentin Morris
URL;VALUE=URI:https://calendar.uab.edu/event/quentin_morris
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260910T231344Z
UID:tag:localist.com\,2008:EventInstance_31132282238716
DTSTART:20191004T150000Z
DTEND:20191004T230000Z
DESCRIPTION:Philadelphia-based artist Quentin Morris uses a variety of mate
 rials to explore issues surrounding identity\, race\, spirituality\, and c
 ultural mythologies. The integration of schools in Philadelphia impacted M
 orris as an adolescent and still influences his work today. Morris has foc
 used his studio practice on monochromatic black paintings in the shapes of
  circles and squares since the early 1960s. Morris’ AEIVA exhibition fea
 tures a selection of paintings that span five decades of the artist’s ca
 reer.\n\nThrough his paintings\, Morris is able to process his ideas on ra
 ce\, ethnicity\, and culture\, while at the same time constructing a socia
 l commentary on the Civil Rights Movement. Morris wants the viewer to take
  an intense look into his deceptively simple paintings - understanding tha
 t the color black is both beautiful and complex. This will be Quentin Morr
 is’ first major exhibition in the South.\n\nOpening reception: September
  7th\, 6-8pm\n\nImage credit:\nQuentin Morris  \nUntitled (March\, 2019) \
 n2019\, detail \nSilkscreen ink and polymer acrylic on canvas\n6-foot circ
 le \n\nCourtesy of the artist\, Larry Becker Contemporary Art\, and Blum &
  Poe\, NYC\n\nPhotograph by Brice Goldberg
GEO:33.4968;-86.80707
LOCATION:Abroms-Engel Institute for the Visual Arts
SUMMARY:Quentin Morris
URL;VALUE=URI:https://calendar.uab.edu/event/quentin_morris
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260910T231344Z
UID:tag:localist.com\,2008:EventInstance_31132282240066
DTSTART:20191005T170000Z
DTEND:20191005T230000Z
DESCRIPTION:Philadelphia-based artist Quentin Morris uses a variety of mate
 rials to explore issues surrounding identity\, race\, spirituality\, and c
 ultural mythologies. The integration of schools in Philadelphia impacted M
 orris as an adolescent and still influences his work today. Morris has foc
 used his studio practice on monochromatic black paintings in the shapes of
  circles and squares since the early 1960s. Morris’ AEIVA exhibition fea
 tures a selection of paintings that span five decades of the artist’s ca
 reer.\n\nThrough his paintings\, Morris is able to process his ideas on ra
 ce\, ethnicity\, and culture\, while at the same time constructing a socia
 l commentary on the Civil Rights Movement. Morris wants the viewer to take
  an intense look into his deceptively simple paintings - understanding tha
 t the color black is both beautiful and complex. This will be Quentin Morr
 is’ first major exhibition in the South.\n\nOpening reception: September
  7th\, 6-8pm\n\nImage credit:\nQuentin Morris  \nUntitled (March\, 2019) \
 n2019\, detail \nSilkscreen ink and polymer acrylic on canvas\n6-foot circ
 le \n\nCourtesy of the artist\, Larry Becker Contemporary Art\, and Blum &
  Poe\, NYC\n\nPhotograph by Brice Goldberg
GEO:33.4968;-86.80707
LOCATION:Abroms-Engel Institute for the Visual Arts
SUMMARY:Quentin Morris
URL;VALUE=URI:https://calendar.uab.edu/event/quentin_morris
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260910T231344Z
UID:tag:localist.com\,2008:EventInstance_31132282242593
DTSTART:20191007T150000Z
DTEND:20191007T230000Z
DESCRIPTION:Philadelphia-based artist Quentin Morris uses a variety of mate
 rials to explore issues surrounding identity\, race\, spirituality\, and c
 ultural mythologies. The integration of schools in Philadelphia impacted M
 orris as an adolescent and still influences his work today. Morris has foc
 used his studio practice on monochromatic black paintings in the shapes of
  circles and squares since the early 1960s. Morris’ AEIVA exhibition fea
 tures a selection of paintings that span five decades of the artist’s ca
 reer.\n\nThrough his paintings\, Morris is able to process his ideas on ra
 ce\, ethnicity\, and culture\, while at the same time constructing a socia
 l commentary on the Civil Rights Movement. Morris wants the viewer to take
  an intense look into his deceptively simple paintings - understanding tha
 t the color black is both beautiful and complex. This will be Quentin Morr
 is’ first major exhibition in the South.\n\nOpening reception: September
  7th\, 6-8pm\n\nImage credit:\nQuentin Morris  \nUntitled (March\, 2019) \
 n2019\, detail \nSilkscreen ink and polymer acrylic on canvas\n6-foot circ
 le \n\nCourtesy of the artist\, Larry Becker Contemporary Art\, and Blum &
  Poe\, NYC\n\nPhotograph by Brice Goldberg
GEO:33.4968;-86.80707
LOCATION:Abroms-Engel Institute for the Visual Arts
SUMMARY:Quentin Morris
URL;VALUE=URI:https://calendar.uab.edu/event/quentin_morris
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260910T231344Z
UID:tag:localist.com\,2008:EventInstance_31132282244397
DTSTART:20191008T150000Z
DTEND:20191008T230000Z
DESCRIPTION:Philadelphia-based artist Quentin Morris uses a variety of mate
 rials to explore issues surrounding identity\, race\, spirituality\, and c
 ultural mythologies. The integration of schools in Philadelphia impacted M
 orris as an adolescent and still influences his work today. Morris has foc
 used his studio practice on monochromatic black paintings in the shapes of
  circles and squares since the early 1960s. Morris’ AEIVA exhibition fea
 tures a selection of paintings that span five decades of the artist’s ca
 reer.\n\nThrough his paintings\, Morris is able to process his ideas on ra
 ce\, ethnicity\, and culture\, while at the same time constructing a socia
 l commentary on the Civil Rights Movement. Morris wants the viewer to take
  an intense look into his deceptively simple paintings - understanding tha
 t the color black is both beautiful and complex. This will be Quentin Morr
 is’ first major exhibition in the South.\n\nOpening reception: September
  7th\, 6-8pm\n\nImage credit:\nQuentin Morris  \nUntitled (March\, 2019) \
 n2019\, detail \nSilkscreen ink and polymer acrylic on canvas\n6-foot circ
 le \n\nCourtesy of the artist\, Larry Becker Contemporary Art\, and Blum &
  Poe\, NYC\n\nPhotograph by Brice Goldberg
GEO:33.4968;-86.80707
LOCATION:Abroms-Engel Institute for the Visual Arts
SUMMARY:Quentin Morris
URL;VALUE=URI:https://calendar.uab.edu/event/quentin_morris
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260910T231344Z
UID:tag:localist.com\,2008:EventInstance_31132282246052
DTSTART:20191009T150000Z
DTEND:20191009T230000Z
DESCRIPTION:Philadelphia-based artist Quentin Morris uses a variety of mate
 rials to explore issues surrounding identity\, race\, spirituality\, and c
 ultural mythologies. The integration of schools in Philadelphia impacted M
 orris as an adolescent and still influences his work today. Morris has foc
 used his studio practice on monochromatic black paintings in the shapes of
  circles and squares since the early 1960s. Morris’ AEIVA exhibition fea
 tures a selection of paintings that span five decades of the artist’s ca
 reer.\n\nThrough his paintings\, Morris is able to process his ideas on ra
 ce\, ethnicity\, and culture\, while at the same time constructing a socia
 l commentary on the Civil Rights Movement. Morris wants the viewer to take
  an intense look into his deceptively simple paintings - understanding tha
 t the color black is both beautiful and complex. This will be Quentin Morr
 is’ first major exhibition in the South.\n\nOpening reception: September
  7th\, 6-8pm\n\nImage credit:\nQuentin Morris  \nUntitled (March\, 2019) \
 n2019\, detail \nSilkscreen ink and polymer acrylic on canvas\n6-foot circ
 le \n\nCourtesy of the artist\, Larry Becker Contemporary Art\, and Blum &
  Poe\, NYC\n\nPhotograph by Brice Goldberg
GEO:33.4968;-86.80707
LOCATION:Abroms-Engel Institute for the Visual Arts
SUMMARY:Quentin Morris
URL;VALUE=URI:https://calendar.uab.edu/event/quentin_morris
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260910T231344Z
UID:tag:localist.com\,2008:EventInstance_31132282248050
DTSTART:20191010T150000Z
DTEND:20191010T230000Z
DESCRIPTION:Philadelphia-based artist Quentin Morris uses a variety of mate
 rials to explore issues surrounding identity\, race\, spirituality\, and c
 ultural mythologies. The integration of schools in Philadelphia impacted M
 orris as an adolescent and still influences his work today. Morris has foc
 used his studio practice on monochromatic black paintings in the shapes of
  circles and squares since the early 1960s. Morris’ AEIVA exhibition fea
 tures a selection of paintings that span five decades of the artist’s ca
 reer.\n\nThrough his paintings\, Morris is able to process his ideas on ra
 ce\, ethnicity\, and culture\, while at the same time constructing a socia
 l commentary on the Civil Rights Movement. Morris wants the viewer to take
  an intense look into his deceptively simple paintings - understanding tha
 t the color black is both beautiful and complex. This will be Quentin Morr
 is’ first major exhibition in the South.\n\nOpening reception: September
  7th\, 6-8pm\n\nImage credit:\nQuentin Morris  \nUntitled (March\, 2019) \
 n2019\, detail \nSilkscreen ink and polymer acrylic on canvas\n6-foot circ
 le \n\nCourtesy of the artist\, Larry Becker Contemporary Art\, and Blum &
  Poe\, NYC\n\nPhotograph by Brice Goldberg
GEO:33.4968;-86.80707
LOCATION:Abroms-Engel Institute for the Visual Arts
SUMMARY:Quentin Morris
URL;VALUE=URI:https://calendar.uab.edu/event/quentin_morris
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260910T231344Z
UID:tag:localist.com\,2008:EventInstance_31132282249504
DTSTART:20191011T150000Z
DTEND:20191011T230000Z
DESCRIPTION:Philadelphia-based artist Quentin Morris uses a variety of mate
 rials to explore issues surrounding identity\, race\, spirituality\, and c
 ultural mythologies. The integration of schools in Philadelphia impacted M
 orris as an adolescent and still influences his work today. Morris has foc
 used his studio practice on monochromatic black paintings in the shapes of
  circles and squares since the early 1960s. Morris’ AEIVA exhibition fea
 tures a selection of paintings that span five decades of the artist’s ca
 reer.\n\nThrough his paintings\, Morris is able to process his ideas on ra
 ce\, ethnicity\, and culture\, while at the same time constructing a socia
 l commentary on the Civil Rights Movement. Morris wants the viewer to take
  an intense look into his deceptively simple paintings - understanding tha
 t the color black is both beautiful and complex. This will be Quentin Morr
 is’ first major exhibition in the South.\n\nOpening reception: September
  7th\, 6-8pm\n\nImage credit:\nQuentin Morris  \nUntitled (March\, 2019) \
 n2019\, detail \nSilkscreen ink and polymer acrylic on canvas\n6-foot circ
 le \n\nCourtesy of the artist\, Larry Becker Contemporary Art\, and Blum &
  Poe\, NYC\n\nPhotograph by Brice Goldberg
GEO:33.4968;-86.80707
LOCATION:Abroms-Engel Institute for the Visual Arts
SUMMARY:Quentin Morris
URL;VALUE=URI:https://calendar.uab.edu/event/quentin_morris
END:VEVENT
BEGIN:VEVENT
DTSTAMP:20260910T231344Z
UID:tag:localist.com\,2008:EventInstance_31132282252221
DTSTART:20191012T170000Z
DTEND:20191012T230000Z
DESCRIPTION:Philadelphia-based artist Quentin Morris uses a variety of mate
 rials to explore issues surrounding identity\, race\, spirituality\, and c
 ultural mythologies. The integration of schools in Philadelphia impacted M
 orris as an adolescent and still influences his work today. Morris has foc
 used his studio practice on monochromatic black paintings in the shapes of
  circles and squares since the early 1960s. Morris’ AEIVA exhibition fea
 tures a selection of paintings that span five decades of the artist’s ca
 reer.\n\nThrough his paintings\, Morris is able to process his ideas on ra
 ce\, ethnicity\, and culture\, while at the same time constructing a socia
 l commentary on the Civil Rights Movement. Morris wants the viewer to take
  an intense look into his deceptively simple paintings - understanding tha
 t the color black is both beautiful and complex. This will be Quentin Morr
 is’ first major exhibition in the South.\n\nOpening reception: September
  7th\, 6-8pm\n\nImage credit:\nQuentin Morris  \nUntitled (March\, 2019) \
 n2019\, detail \nSilkscreen ink and polymer acrylic on canvas\n6-foot circ
 le \n\nCourtesy of the artist\, Larry Becker Contemporary Art\, and Blum &
  Poe\, NYC\n\nPhotograph by Brice Goldberg
GEO:33.4968;-86.80707
LOCATION:Abroms-Engel Institute for the Visual Arts
SUMMARY:Quentin Morris
URL;VALUE=URI:https://calendar.uab.edu/event/quentin_morris
END:VEVENT
END:VCALENDAR